Join us on Zoom for another virtual book launch. Tamas Dobozy’s Ghost Geographies launches next weekend, with host Matt Rader.
A polyphonic descendant of Kadare, Bolaño, and Sebald, Tamas Dobozy masterfully traces and thwarts the porous borders between fact, fiction, ideology, history, and humor. The stories that make up Ghost Geographies, including “Krasnogorsk-2” (National Magazine Awards 2014 Gold Medal for Fiction), and “Crosswords” (Previously titled “No. 10” Best Canadian Short Stories 2017), constitute a collection that “isn’t for the faint of heart” according to Brett Josef Grusibic in The Star “Its rewards, however, are ample, its craft impeccable.”
TAMAS DOBOZY is the author of three previous collections of short fiction and novellas: When X Equals Marylou (Arsenal Pulp Press, 2003), Last Notes and Other Stories (HarperCollins Canada / Arcade (US), 2005), and the Governor General’s Award finalist and Writers’ Trust Award winner, Siege 13 (Thomas Allen / Milkweed (US), 2012). 5 Mishaps, a limited edition collection of five new stories, was published in early 2021 by School Gallery, London, UK. Dobozy lives in Kitchener, ON.
MATT RADER is the author of five volumes of poetry, a collection of stories and a book of non-fiction. Rader teaches writing at the University of British Columbia Okanagan. He lives in Kelowna, BC. His latest book is the collection of poems, Ghosthawk.
It’s finally ‘opening night’ for Screen Captures: Film in the Age of Emergency – this new collection of essays from Stephen Lee Naish takes us far and wide across the realm of cinema. From Disney blockbuster franchises to Nicolas Cage psychological thrillers, Screen Captures tells, as much as it shows, what lies just out of frame: the impacts of COVID on theatres, the class war of the 1% upon the rest, the climate crisis, the ongoing Disney-fication of franchises, and the audience’s active participation in the rewriting and reproduction of their capture by screens.
Naish was recently interviewed by Joel Tscherne for the New Books Network podcast series. You can listen to the episode on Spotify, Apple, or Stitcher, or check it out on the NBN website.
Check out a preview of the book right now, and keep scrolling to find out where you can pick up your copy of Screen Captures today!
The latest collection of short fiction from Writers’ Trust Prize-winning author Tamas Dobozy hits the shelves today!
Ghost Geographies contains 13 short fictions and novellas, including “Krasnogorsk-2” (National Magazine Awards 2014 Gold Medal for Fiction), and “Crosswords” (Previously titled “No. 10” Best Canadian Short Stories 2017), all of which delight and intrigue with a complexity inviting comparison to the worlds of Bolaño. Read an excerpt from the collection right here, and check below for a list of booksellers and online retaillers to pick up your copy of Ghost Geographies today.
It took me twice as long, my confidence wasn’t there
Something in my universe wasn’t right
It took all the pins, it didn’t fit
I had to put it all back on and do it right
This time I wasn’t going to get that fresh new piece
We are continuing our periodic reviewing of reivews with another roundup, this time shining the spotlight on The Wig Maker.
“Janet Gallant and Sharon Thesen create a disturbing yet ultimately inspiring collaboration which is part biography, part memoir, part poetry, and part lament.” Says Carol Matthews in the latest issue of the Malahat Review going on to call the poetic collaboration of Gallat and Thesen an “unforgettable duet.”
In her omnibus review of poetry across the pandemic over on the Ormsby Review, Linda Rogers says Thesen “does not embellish the flat narrative with coloratura ornaments, the gifts of a lyric poet. Both the telling and listening require absolute integrity.” And in BCBookworld, Caroline Woodward similarly described Thesen’s poetic listening/retelling as that of a “master poet with an acutely sensitive ear for language”.
The Wig-Maker, for Richard Osler, is “so much more than a collection of poems”, his review teasing out the ways in which Gallant and Thesen’s truth-telling becomes an important act of healing in itself. And for rob mclennan these poems “offer a memoir propelled by Thesen’s lyric clarity.”
Bringing you another New Star review of reviews – this time shining the spotlight on George Bowering and his two most recent books.
Karl Siegler has recently reviewed Bowering’s Could Be over at the Ormsby Review. “[W]e find in his “It Would Never Have Been a Sonnet” a perfect illustration of the dictum ‘form is never more than an extension of content.’” writes Siegler, “Of course not: the poem’s octave is missing a line. George notices such things, even though “poets have no business / looking for order.””
Of this same collection rob mclennan writes “there is an elegance to these poems, even through working a number of his familiar touchstones…These are poems of attention, looking simultaneously, it would seem, in every direction”
And on Soft Zipper, Bowering’s earlier 2021 offering, mclennan says the “structural echo from Gertrude Stein” Bowering has employed in writing the book is “a curious way to produce a memoir, and an intriguing way to prompt memory, allowing that narrative leap from a word or a phrase to spark where that section might go.”
Both hosts have been battling friends and family to hold on to their constantly loaned and re-loaned copies of Outside since the book was featured by Houston the week prior, when Richards said “the reaction to this book is unlike anything that I have ever seen, except when an enormous author has 400 books under his resume.”
Impressed with the response to Outside and stunned that this is a debut novel, Richards and Bastl asked Sean a bit more about the writing process, his similar experiences to our protagonist David, and what it’s like to sit down to write your first ever novel.
I started with the end in mind, I pictured how the book would end, and really the process for me was building in all that backstory, how we get to this climactic scene, for me that’s the way to go.
George Bowering’s latest collection of poetry hits the shelves today. Could Be assembles a new offering of poems from one of Canada’s indisputable literary greats, wiser, though not any mellower, for his years. These pages are suffused with the warmth and curiosity of any young poet.
Join us on Zoom Sunday June 27 at 2pm PST for a double feature launch event to celebrate both Could Be and Bowering’s earlier 2021 release, Soft Zipper.
A wry, propulsive, visceral collection of stories about the afterlives of utopia – imagined and real – from the author of the Writers’ Trust Prize-Winning Siege 13.
In his first book since the award-winning Siege 13, Tamas Dobozy joins New Star with Ghost Geographies, a collection of stories, each of which vividly imagines a number of unsettled utopias populated by decadent and absurd personalities.
Fleeing communist Budapest by air balloon, a wrestler tries to reinvent himself in Canada. On a formal invitation from the Party’s General Secretary, a Belgian bureaucrat “defects” to communist Hungary, chasing the dream of a better world. Meanwhile, a provocateur filmmaker drinks and blasts his way to a final, celluloid confrontation with fascism, while an enfant terrible philosopher works on his prophetic, posthumously panned masterpiece, Dyschrony.
Ghost Geographies contains 13 short fictions and novellas, including “Krasnogorsk-2” (National Magazine Awards 2014 Gold Medal for Fiction), and “Crosswords” (Previously “No. 10” Best Canadian Short Stories 2017), all of which delight and intrigue with a complexity inviting comparison to the worlds of Bolaño.
Cover design by Oliver McPartlin
Tamas Dobozy is the author of three previous collections of short fiction and novellas: When X Equals Marylou (Arsenal Pulp Press, 2003), Last Notes and Other Stories (HarperCollins Canada / Arcade [US] 2005), and the Governor General’s Award finalist and Writers’ Trust Award winner, Siege 13 (Thomas Allen / Milkweed [US] 2012).
Available September 16, 2021
320 pages :: 5.5 x 8.25
$24 CAD :: $20 USD
“Still producing at the height of his powers” is a cliche that rarely applies as well as it does to George Bowering’s recent output. In ‘Could Be: New Poems,’ gathering work since his close call five years ago, Bowering shows off a wiser, though not necessarily mellower, aspect alongside the wit and unerring ear readers have come to expect from one of our greats.
Glad to be alive, these are poems that look out into the world with fresh eyes, curious as any young poet’s. Only now the shadow of mortality finally takes its proper place alongside life’s many other sources of magic and wonder. Sunlight and warmth suffuse these poems, formally spanning short lyric verse, “found” stuff, and a long poem (“Sitting in Jalisco”). Rewarding attention as always, with ‘Could Be’ George Bowering adds to a substantial body of work.
“The supple scale of space, from dresser drawer to American road trip, here folds and regroups the poet’s craft — for George’s prose is poet’s prose, with its joyous attention to the detail of syntax, the humour and mystery of juxtaposition, and the music of tone.”
– Lisa Robertson, from the Introduction.
This engaging memoir relates stories about George Bowering’s small-town BC upbringing and his parents — his father long dead and his mother more recently passed on at the age of 100 — while at the same time honouring the author’s other “parents”: Gertrude Stein, Charles Olson, and Roland Barthes. Read a review of Soft Zipper from Rose Hendrie in the LRC
Pre-order your copy of Could Be right now on:
Or ask your local bookstore to get it in stock!
And click here to check out where to find Soft Zipper both online and in store.
A spirited, far-sighted guide to politics, Star Wars, the Avengers, David Lynch, and the lost highways between them, for today’s capitalist-realist age.
“We’ve met before, haven’t we?” The grand illusion of our era is that we’re at the end of history and movies are now no more than tranquilizing entertainment. What we’ve lost sight of is the political undercurrent running through cinema and its potentially redemptive power, whether through Hollywood mega blockbusters like Star Wars or off-kilter indies and art films like Blue Velvet.
This is the premise and challenge of Screen Captures. Critic Stephen Lee Naish guides us through the recent cinematic phenomena that reflect/refract our contemporary political existence in this collection of essays, observations, and love letters to the films that have shaped not only his own cinematic literacy, but also the larger phenomena of Hollywood and beyond. Screen Captures adds a sharpening filter to the film-goer’s experience on the big and little screen.
Cover design by Oliver McPartlin
Naish’s previous books include U.ESS.AY: Politics and Humanity in American Film (Zero Books, 2014), Create or Die: Essays on the Artistry of Dennis Hopper (Amsterdam University Press, 2016), Deconstructing Dirty Dancing (Zero Books, 2017), Riffs and Meaning (Headpress, 2018).
Available September 30, 2021
208 pages :: 5.5 x 8.5
$20 CAD :: $18 USD ISBN: 9781554201754